- Basket stitch
Basketweave in metal thread embroidery refers to couching gold, silver or copper threads over rows of hard string padding. The couching stitches pull the metal thread down between the padding which creates a woven effect. Many different patterns can be achieved by stitching over different numbers of string padding in different sequences.
Basketweave has long been a feature of ecclesiastical embroidery: Notre Dame church in Montreal has an altar frontal dating to the early 19th century which features this stitch. A 19th century publication, Art Amateur, says that Spanish embroiderers were particularly known for basketweave and they did not confine the technique to churchwork. The article also mentions an 1878 exhibition at the Royal School of Art-Needlework of an antique altar-hanging entirely worked in basketweave alongside a modern reproduction.
Starting in the centre of your shape, lay a pair of gold threads across the hard string padding (the gold threads should be approx 4cm longer at each end than the shape to be covered). Secure by couching over the gold using a single waxed sewing thread, above the top length of hard string padding.
Couch another stitch over the gold between the second and third strings and pull firmly so that the gold thread buckles/creases and sits neatly onto the fabric surface between the string padding.
Lay the gold threads over each subsequent pair of strings, securing them into position with a stitch. Try to ensure the gold threads lie as straight as possible, making sure they do not twist.
Complete the pattern by couching over the gold threads below the bottom piece of string.
Lay another pair of gold threads adjacent to the first. Working from the bottom and secure by couching into position below the bottom string.
Work upwards to the top of the padded shape, securing the gold over pairs of strings alternate to the previous row.
Structure of stitch
Identifying Basketweave (goldwork)
Rows of metal thread layered over perpendicular rows of string padding (not usually visible). The rows of thread are couched over alternate rows of padding to create the basketweave design.
Letitia Higgin, RSN Handbook of Embroidery (1880) , p.43–4
Christine Turgeon. (2004) 'JEANNE LEBER: Recluse and Embroideress (1662-1714)', Journal of Canadian Art History / Annales d'histoire de l'art Canadien pp.6-47.
. (1880) 'Art Needlework', The Art Amateur pp.128-9. Available at: https://www.jstor.org/stable/25627265